Blog originally written on August 10, 2010
It’s been a few months since I’ve actually written a blog entry on here. Part of the reason why is that I don’t know what direction I want Taser to go in. As you know, Taser Records is, well, was a mock record label I created for my multimedia class. It even has a MySpace (not that well developed) and a Facebook I never really got the chance to develop. The Taser Rocks Out! blog was created to promote Taser Records and to talk about my hopes and dreams for this label and about music obviously. In the midst of doing this I fell into a deep music slump which as of right now I’m still battling. For a while, I felt that I no longer had any knowledge of bands and I couldn’t seem to defend certain bands I enjoy. Even going to Barnes and Noble or Best Buy and checking out the music section made me sad. After some analyzing, I think I know why I am in this slump.
First of all, I think I’ve been around too many people who are such rock elitists that for a while, I started to think just like that. I couldn’t listen to certain bands just because they’re not metal enough or too emo or too poppy. I guess you could say that I was conforming to what other people like. What I used to like about myself was that I used to listen to every rock genre and not really discriminate against different sub genres. For example, I really love listening to Three Days Grace yet I love listening to Chimaira. They’re two different bands from opposite sides of the spectrum. Now, I feel like I have to listen to one without the other. The second reason why I think I’m also in this slump is because of Lifehouse’s new album, Smoke and Mirrors. The first time I heard I thought to myself: “What happened to them? They were so good and now they come out with crap like this.” I described it as “Daughtry and OneRepublic getting together and giving birth to Smoke and Mirrors”. Daughtry and OneRepublic are decent bands everyone likes, even me but sometimes their songs get way too much airplay and one might literally throw up if one has to listen “September” one more time. In avoidance of getting way off topic, in summation, one could say that I lost faith in Lifehouse after this new album but deep, deep down, I’m hoping that their sixth album would be better like I hoped for Linkin Park. I will get more in depth about them in a minute.
As I’m writing this entry, I feel like I’m taking a baby step towards getting out of my slump and actually make this blog better than it was before. To show the small change, I changed the background of my blog. The new background is a picture of a band in concert. Of course one can’t see it much because of the inner white background. Still, it’s an improvement from the plain dark background. I’ll write more about this next entry.
Earlier, I brought up Linkin Park. I mentioned that I had high hopes for their new album, called A thousand suns that will come out next month. They released their new single, The Catalyst last week. When I heard the song in its entirety, I wanted to do the following things to the band. I want to hunt them down and kick their ass for releasing music that doesn’t sound like the Linkin Park many people know and love or what might happen soon, loved. Many people criticized Minutes to Midnight for not sounding like Hybrid Theory and Meteora but The Catalyst is the worst song ever created. While the lyrics are not bad, (yes, they sound political), the synthesizer is. No drums, no bass, no guitar, just some pre-recorded material. The most ironic thing from this is that I actually got the vibe that this is the type of music that Linkin Park feels most comfortable doing. If this is what the rest of the album will sound like, I will say that this is the end of the good Linkin Park era. R.I.P. 2000-2010, not 2000-2007 like most people did when MTM came out. MTM isn’t even a bad album. It’s not their best but at least the rock is there somehow. The only positive thing I can say about LP is that the lyrical content has improve from album to album.
Linkin Park isn’t the only band that has disappointed me recently. In a previous entry, I’ve mentioned that Avenged Sevenfold’s Nightmare single wasn’t their best song. Not surprisingly, the album itself leaves much to desire. The album from start to finish sounds like a crappy imitation of their last album, which is one of their better ones. A7X has mentioned that the album was going to be epic. Where’s the epic? Where’s the nightmare I’m supposed to imagine when I’m listening to nightmare? The only song that sounds half good is God Hates Us but it still doesn’t convince me to love Nightmare. I’ve always said that A7X has been heavily influenced by two bands: Pantera and Guns and Roses but mainly Pantera. Pantera with the lyrics and Guns and Roses with the crazy guitar playing except that Zacky V and Syn Gates play it in minor. On top of that, they bring Mike Portnoy from Dream Theater to fill in as drums. I know he was The Rev’s idol and all but come on, Portnoy, although temporarily playing for the band doesn’t bring that presence the Rev used to bring when he was drumming.
What gets me riled up the most is that most critics overwhelmingly gave positive reviews to Nightmare, just because The Rev died. If he were still alive, would you still give that great of a review to Nightmare, knowing it sounds like their self-titled? I don’t want to offend The Rev, since he was my favorite but if I were him, I would be rolling in my grave. If a very die-hard fan of A7X were to read this, my review would sound more of a nightmare than the whole Nightmare album.
All of this leads to the title of my blog entry: Is rock and metal dying? Nothing spectacular has been coming from these bands lately. The pulse is there barely beating on us. Have we finally gotten to the boiling point with our favorite bands or do we just have to adjust to the new sound from these bands?